Mary of the Circle At a poor walkup off a back street in Brighton Beach he brings me as a boy regularly with him to his Mom for Sunday visits. The narrow bedroom has an old world featherbed by a panelled chest and before it the kitchen in which we sit by the window at a table for talk and food. A decorative iron incense holder worn to a soft sheen of green and black and a tall samovar of German silver alongside are at the sideboard. An oriental presence permeates the air though the burner is cold. She pronounces the greeting and her eyes have a warm glow. On the plate quartered pieces fall away from the dry floral base and the sumptious orange flesh yields a few long black seeds, not unpleasant. The other, an imperfect globe antique red is torn open for the glistening cherry cells in a matrix of neutral pulp. Manipulated, a few drop in the hand and are taken in together for the tart explosion in a crush and a residue of small seeds. Odessa is at the frontier with Ottoman lands and the influence travels the border along with the fruit of them. She's at the center of the group in a broadbrimmed hat and long coat with fur collar for the 20's photo at the gardens, the tallest, first to catch the eye. The girls are dark and slim in the fashion, not out yet. Dad is the Black Beauty in just a jacket with a small boy by the hand in a perfect sailor suit, a hat and a balloon on a string above. Trees beyond are bare for the season but the light is strong and sun sparkles on them and their faces upturned in a row for the expected moment. At a butcher shop under the El a man reaches over the counter to greet her. The floor is fine tile with sawdust and the case large and well lit. Ration points show in red lettering along with the prices on the white stickers in a row. Her selections are lamb body parts unfamiliar to me. The man is a Novick, a cousin by marriage. We stop at the fruit stand for persimmon and pomegranite in wood crates individually wrapped with paper tissue. The food is warm from the oven when we return, delicious potato cakes with liver stuffing on an iron tray in orderly rows we devour with hot lemon tea in glasses. Grandma is multilingual. As a girl she helps out at the family general store in a schoolgirl outfit, white blouse and a jumper with straps and hair in long braids at the shoulder (Russian). They marry her to an older gentleman who takes her to a town in nearby Romania with Eastern spires and narrow streets. She runs away back home with her new baby (Yiddish). She falls in love with a Singer sewing machine salesman, joins the rush to America, makes a living for her six kids from the appetizing store with herring and pickles in barrels, later selling papers from a stand at Columbus Circle which they write about in the Telegraph (English). While I'm in service they help her down the stairs and by the hedge in front and take her in a car to California. Sophie's house is a large white Hollywood stucco with new sunlit kitchen, a spacious deck with lounge chairs and real citrus and avocado bearing fruit. The last I see her her hair is in disarray, blue eyes vacant, dazed. Dad gives me the photo along with the dragon ring in soft gold, with a ruby chip, the letter "M." With Glasnost I find a Russian cousin and send him frozen chicken quarters to help while he's on line waiting to be let out. When he gets here I show him the family where his Mom is second from the left. His mothertongue is broken through disuse and I have to guess a lot about his story. I tell him mine and take him then to Beach Third Street for a first visit. Searching the line of worn rowhouses my mind is a rush of emotions. I find the right one, too poor for renovations, the brick, red painted cement steps and hedge unchanged. In the jpeg I email him the next day he seems pleased and in looks, build and demeanor he's my Dad's double. March 22, 2010 Brooklyn NY